Thursday, July 21, 2011

Best logo ever!

Let the arguments begin! What's the best logo?

This is my vote:

It's the Monterey Bay Aquarium logo, sans text (which has changed several times since the aquarium opened). Here's the sans serif treatment used now.

I'm having trouble tracking down its creator, and I find that puzzling, since I'd think someone or some agency would want his/her/its props.

Why do I like it? It's compact and and multitextured and multicontextual, and allows me for the first time to use the word multicontextual. At its core, it's a circle and a representation of the Giant Kelp species that forests Monterey Bay, Macroystis pyrifera. Whoever designed this took great care to show the botanical relationship between the stipe (stem), the floats (bulbs) and blades or fronds of the kelp. 
The logo as it appears at the aquarium entrance.
The typeface? Hm … my son has a nose for this.
Until he chimes in, any suggestions? It has an uncial,
old California look to it.


The kelp curls in on itself suggesting at once the curl of a wave, and fins, many and one. At the bottom, the blades/fins begin to twist around one another, suggesting a DNA double helix. The negative spaces created as the blades blend together toward the center hearken of teeth and a variety of marine shapes. Then you've got the whole cycle of life ethos going on. That's what I see in the mark, anyway.

What the charter members see.
The aquarium itself doesn't divulge much about the logo: its sole page devoted to the mark, embedded somewhere among its history, explains merely, "The logo of the Monterey Bay Aquarium is an artist's rendering of the growing tip of a giant kelp frond (Macrocystis pyrifera)." Some artist. Don't know. Don't care. Sheesh.

Hmm, not sure I've ever seen
this type treatment before …

sorta Peignot-like …
Two things would have made the mark perfect. One would have been to create tessellations of the positive and negative shapes of the floats and blades; that is, to make clearly distinguishable marine shapes of the negative spaces. The other would have been to depict the gorgeous network of veiny ridges that cover the kelp blades, and even the toothy edges of the blades.

But it's not bad, considering.


The version of the mark at the top of this post perplexes me. If it's from the original rendering, then imperfections are easy to spot, and I would have guessed this was rendered digitally. But the top edge of the blade on top is not a continuous arc; instead, it has a point at the top that interrupts the perfect arc; some of the blades and joining places are also rough, and the shapes indicating foreground and background are kind of clunky and uneven. You can see it more closely by clicking on the image.


The imperfections suggest to me that the mark was drawn by hand, and never cleaned up in digitization. Is that possible?


What's your favorite logo or mark? And who created this one? I'm dying to know.

7 comments:

  1. Agreed. That is a pretty neat logo. I will have to show you the mark I am thinking of getting over my skin cancer scar. That will be a rockin' logo!

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  2. The designer of the Logo, is Fred Usher Jr. of Santa Barbara. I know this fact because I worked with him during the process.
    Tasé

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    1. There was a talented artist who either designed or collaborated on the design. He is deaf. He may have designed some of the exhibits also. Anyone know his name, contact?

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  3. Designed by Frederick Usher en 1950... "This elegant two-color graphic rendering of “the growing tip of a giant kelp frond” was a particular favorite of Usher’s; however, the aquarium ended up using a one-color version" (from https://designobserver.com/media/pdf/38646-Usher.pdf )

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  4. A few organizations thoroughly overlook the intensity of a logo and mess with it and consider it a custom and don't grab hold of how enormous it can make a brand into.Some of the normal mix-ups made by organizations while structuring logos:

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