Showing posts with label David Lance Goines. Show all posts
Showing posts with label David Lance Goines. Show all posts

Tuesday, August 30, 2011

New work abloom

No. 1 in Page's Principles is “Never do business with family and friends.”

The velvet shield …
Paul Page owns Page Design Group, a traditional graphic design firm in Sacramento that's been around long enough — more than three decades — to make Paul venerable.

His longevity stems, no doubt, from following his own principles, a copy of which I received when I took a graphic design business class from him back in the 20th Century. The dogeared copy is still tacked to one of my office bulletin boards.

Having done business with family and friends, and sustained the scars thereby, I can attest to Paul Page’s wisdom.

My inferred corollary to Principle No. 1 is, “If you must do business with family and friends, make it gratis.” It’s a risky inference: Though it may protect relationships, it’s no guarantee.

Also, it tends to countermand Page’s Principle No. 16 (and last), which Paul Page printed in boldface: “The main reason to be in business is to make money.”

It’s a good thing I don’t fool with Principle No. 1 too often.

The chosen one …
Such foolery has its perqs, though. Pro bono, for me, is a grown-up version of “you get what you get and you don’t throw a fit,” to wit:

I deliver my best effort of a concept that I think suits my friend/client’s needs. Ordinarily, I would provide a wide variety of concepts (it depends on the outcome of a negotiated estimate); a Murphy’s Law of graphic design usually means a client will usually choose the solution you presented as the one so awful that the others shine by comparison.

My friend Suzanne came up with a business called Assured Communication Visiting Service. Her Website provides a more artful description, but the business provides surrogate visitation of adults in senior care residences, on behalf of the adults' families. She checks in on clients’ elderly adults, doublechecks their healthcare regimen, helps with correspondence, even entertains (Suzanne is a musician and a church music minister).

The pen accidentally dislodges a thought …
How to convey that in a logo? It was a puzzle that threatened to become a brick wall. The business has a cumbersome name, and the business idea is so unusual to me that I had a tough time pegging it to something visual. Then I put pen to paper and the solution emerged in less than a minute.

After a couple of words to jar loose some imagery, and just some go-to squiggles and jots (for some reason, I often draw a yin yang symbol to test whether it fits into the business concept), a flower emerged from my thumbnail sketches. The flower became a daisy, and the daisy chain soon followed.

The concept is ideal for Suzanne’s business (imho), because the chain implies communication and connection and continuity. It also evokes the parent-child relationship so often involved in this business transaction: The nostalgic nurture of parent to child, a responsibility that now reverses course. The flower represents a nurturing venture, and suggests a woman-owned business.

To ease the name’s burden, I suggested that “Assured” should play prominently, and “Communication Visiting Service” become secondary. Bottom line, clients want to be assured, on many levels.

Art Deco-ish …
Then I broke my own corollary and offered two variations on the concept, because I just can’t help myself. The first is a naturalistic, Art Deco-, Arts and Crafts-inspired idea that reminds me of the work poster artist David Lance Goines produces:

After toying for a long time with turning this chain into a Möbius strip, I left it as a simple chain; a princess' crown; a halo.

(Yeah, I got the name slightly wrong in this version; it's Communication Visiting Service.)

To offset this choice, I offered the same concept in a loose, juicy, calligraphic style (above).

That’s the one Suzanne chose, and based on that, I provided a bunch of variations, including the shield shape (top), and a single daisy; the chain would be cumbersome in all uses.

The different riffs on the logo create a family of images that Suzanne can use for self-promotion, primarily her Web-based marketing, which she is doing on her own.





Tuesday, March 22, 2011

Artsy craftsy: New work

A new opportunity to work with designer Lisa Park arose recently, an emergency illustration for an upcoming home and garden tour in a Sacramento neighborhood (other work here, here and here).

The trick was to depict an actual Curtis Park home, modify its landscape, give the overall feel an Arts and Crafts look (which in graphic design and illustration features thick lines almost overwhelming detail, turning shapes into simplified icons; contemporary illustrator and printer David Lance Goines regularly employs the Arts and Crafts look), and get it done fast.

My first thought was uncomfortable: Shingles and leaves in a short time. Drawing as I do, right-handed with a mouse (I'm left-handed), I recoiled at the thought of all the leaves and minute lines representing the roof.
Luckily, all Lisa needed was line art. She would apply the color, type and overall design.

The outside shapes would be easy by comparison. (My son has since lent me his electronic tablet, and once I get a pen to replace his that was lost, I'll have a learning curve ahead of me, but will be grateful to speed the process one day soon.) The devil would indeed be in the details.

This is the postcard. The package includes a poster, which required me to make the elements as separate entities so that Lisa could move them to fit different dimensions.

This is the line art as I composed it, for my own entertainment. You can see how the elements differ from the postcard:
The azalea-like flowers above I had designed to nestle in the slope of the roof, but making them independent allowed Lisa to move them for the design.

Ultimately, the illustration doesn't fully embody the Arts and Crafts look; the home's style fits that movement, but the depiction of if is more architectural than ornamental. Only the azaleas above and undulant grasses below, I think, truly bespeak the Arts and Craft look.

Ironically, if I had worked less hard on the project, thickening outlines and tossing out details (and having time to sweat out which details to lose) the finished piece would have carried the Arts and Crafts theme more globally. A fun challenge, though.