Out of whole cloth

Lovely Nancy modeling her shirt, in Giants colors, of course!

Client: Myself (cheeky!)
Need: A T-shirt
Challenge: Somehow capture in one image an event that defies terse description

Namely, the 24-hour Swim Relay, two editions now complete in San Francisco's Aquatic Park.

The shirts for the event arrived in the last couple of weeks, thanks to the valiant and generous Anthony McCarley, fellow relay swimmer, who willed them into being.

(Shout out to Jeff and Red Leaf for great work making them!)

The relay registration included bright custom swim caps so swimmers could be seen and identified throughout the event. I got to design the cap's inaugural image and this year's. I imagined T-shirts for this year's event, but didn't bring it up, just presented the art. Mostly I was sensitive to the event's costs and didn't want to muck it up for Suzie Dods, the event creator and chief organizer; if shirts weren't going to fit the operational budget, I didn't want to press it.

The inaugural relay image

For the first event, I harnessed what I knew about Aquatic Park, having swum there a couple of times, and incorporated swirling wave shapes and a stylized pocket watch to depict time. The image folded in the Golden Gate Bridge, the Balclutha sailing ship moored in the park, the city skyline, a sea lion and the flag buoy, well known to swimmers there.

My thought was that if I took the words off one version, it could be printed "backward" on one side of the cap, and the images from a distance would look like Hermes' wings on the swimmers' heads.

We were in a rush, though, and the image ended up the same on both sides.

Actually, the image on this year's caps is a detail from the artwork I envisioned for a T-shirt, which had too many moving parts to reproduce small.

After I wrote about the art and my experiences at the second relay in February, Anthony organized a shirt order.

Having gone through a 24-hour swim, I wanted this year to honor the shared experience, and became my own client in a design exercise.

Earliest known image of the 2015
design. Do others exist?
Historians can only hope. And dig.

To me, the key moment of the swim the first year was early morning, 3 or 4 a.m., not quite three-fourths of the way through the relay.

By that time, teams had gone four, five, even six rounds of non-stop relay, with two or three more rounds before the 24-hours were up. Most people are not awake that hour of the day, let alone swimming in cold water barely distinguishable from the dark sky, the last amber lights of San Francisco twinkling and dripping and squiggling.

Swimming that early hour, I was awake in a dream I had never imagined, moving the right parts in the right way somehow, but shifting in time and space, the continent slamming up close then drifting away, seeming never to draw nearer until eventually, without warning, it did.

Driving rain — the only real storm of 2014 — and pitching water enhanced my uneasy joy.

Day and night, dark and light, victory and
futility, reality and dream.

Swimmers waiting their turn meanwhile clawed their way into sleeping bags and fought for warm sleep.

It was a dizzy, surreal time, down being up and in becoming out, everything going and going and going, the hours stretching and flexing.

How to explain that in image? My pencil sniffed around for solutions, trying out a yin yang of water and darkness. More sketching eked out an infinity loop. Then —

A Möbius strip! A wonderful symbol for this event. I had to make one out of paper to see how it would work.

The style came immediately to mind. I envisioned a linoleum cut look, for some reason, a carved heavy real thing for an unreal thing, a writhing sea battle frozen at the moment. The final art is digital. Someday I'd like to try real linoleum cut.

This looked almost too pat, and I wanted something
more organic and free.

As the strip folded in on itself, I wanted to make the recessed and folded-under portions night, and give them heavy contrast to the raking waves of day.

Next I needed to place elements. Swimmers of course: As many as I could fit.

Cathy Harrington, on watch kayaking many hours for the swimmers that first relay, became the model for all the kayakers keeping vigil in the heavy rain.

(Though rain threatened for this year's event, it was mild and spotty compared to last February's storm.)

At one point last year one of the storied wooden row boats from the host venue South End Rowing Club was in the water in the wee hours, volunteers festooned with Christmas tree lights, watching us from within.

I put a boat in the final art and used the stern to inscribe the year and location.

Taking shape

A sea lion had to show up, of course. A great black bull appeared for part of last year's swim, but I missed seeing any this year.

Of course, the flag buoy had to make it, as did the iconic symbol of the Bay, the breathtaking bridge.

Both of them went upside down, to represent the effect that night swimming had on me. To fit all the figures, I distributed parts and pieces — a foot disappearing over one horizon, an arm revealed under a fold.

I added Lisa Amorao and her head-mounted camera, to represent all those who documented our endeavor so beautifully.

Cathy got to swim the event this year; she and Lisa and I swam on the same team.

Before getting too far, I explored the same theme with an infinity loop shape, and eventually took it to full art after sketching possibilities over and over.


In the end, the original idea of a loosely triangular tableau felt more centered than the figure-eight version.

Anthony suggested offering three shirt colors to the relay swimmers, including San Francisco Giants orange with black ink (he knows his audience! Sorry, Cathy!) and arranged for all the ordering, printing and shipping.

It was quite an undertaking after the fact.

Let us just say that Anthony is beneficent and chivalrous, using this undertaking to celebrate his chance to take part in the event.

Let us also say that swimmers have asked for another round of shirt orders, which makes me smile.

Infinity loop. One problem: Each surface remains its own, never crossing.

Thanks, Anthony. And:

The shirt pocket pays tribute to Suzie Dods, who in her
yellow sou'easter ran the show.

Swimmingly

I drew this in July, six months before the 24-hour swim. That's how excited I was to return.

Swim No. 1, 9:58 a.m.: This must be how a musician feels, saving a lost guitar, tentatively retaking a rhythm, attempting a certain choreography of fingers, feeling rough but right.

Hitting the green water, salt once again in my mouth, tripped memory. First, around the wooden pier with its hinged ramp bobbing like a great hungry jaw. Ah, the buoys next, tall and cylindrical, in permanent cant, a row of crooked teeth stretching to the black grove of eucalyptus beyond. Somewhere at the end of the buoys is a box-shaped one with a flag on top and a thermometer tethered to it, a sort of Aquatic Park mascot. I can't see it from here; I just have to swim and find it, like last year. Here we go.

Brad Schindler has gone first, two laps. Then Cathy Harrington. For how long? I can't remember. So how long until I swim next? Two hours? Is that right? That can't be right. Ah, forget it! Just swim, fool!

I'm going three laps this time, three laps each time if I can. I don't think I could have done that last year. But that was last year.

Such a difference a year makes! Since meeting him at the first 24-Hour Relay Swim last January, Craig Lenning of Colorado became the first person in 47 years to swim from the Farralon Islands to the mainland, a 25.7-mile trek in treacherous waters west of the Golden Gate.

Since meeting him last year, Simon Dominguez, an Australian by way of the Bay Area, swam the English Channel.

Since last year, my relay teammate Lisa Amorao has racked up the miles and night swims and tricky waters, and bounded into this relay with abandon, night swims and all, recording it all on her GoPro™® camera for another much anticipated video of events. So did Cathy Harrington, who swam and swam and swam over the last year, and has swum up at our Lake Natoma several times, an opportunity lost if not for having met at the relay.

David Walsh and I have extended the miles at our lake since last year, and David shed his wetsuit even through the coldest water. I talked him into another relay. We were ready to do more this year.

An alternative design, meant to evoke the ever-moving, clock-spanning, rollicking nature of the relay.
As with the top illustration, you can "read" the illustration from any angle.

Marathon swimmer Suzie Dods created the relay, inspired by a long-ago event in Quebec called 24 Heures La Tuque. That event comprised two-person teams trading off 'round the clock for a full day. Suzie's version features teams of different number, from four to 10 this year, who divvied the swims in different ways.

Of the 40 or so swimmers this year, at least a fourth know each other from the facebook™® page, Did you swim today?

Swimmers ranged from common schlubs like me to world-class marathoners. Our team boasted Brad Schindler, who has crossed Tahoe and swum an ice mile, which is a mile in water 41 Fahrenheit or lower.

"Fast" Karl Kingery, who used to swim with me at Lake Natoma before finding work in Colorado, joined the team of four that, besides Lenning, comprised:

• Elaine Howley of Boston, last summer the first person to swim the 32-mile length of Lake Pend Oreille in Idaho and
• Sarah Thomas from outside Denver, who within six months in 2013 swam two lengths of Vermont's Lake Memphremagog (50 miles) and was the first "skins" swimmer to double-cross Lake Tahoe (44 miles)

They each swam in three two-hour blocks — just strolls around the block for them, I'm sure — compared to our team, the Fogheads, which swam five or six rounds each.

We kidded Karl that he was out of his team's league, but know he'll soon be amassing his own massive swims. Besides, we kid in admiration: Karl was swimming with torn ligaments in one knee, from a skiing accident the week before.

Swim No. 2, 2:26 p.m.: The good news — thanks to teammates Paul Springer and Lorena Sims, who know their way around cyberspace, the swimmers who make up the Fogheads know when they'll be in the water each round of the 24-hour relay, and for how long, and what they'll be doing at any other part of the relay. 

Lorena and Paul orchestrated a spreadsheet they could change on the fly from their handhelds, and it only took one round of us swimming for them to develop an accurate prediction of our endeavor.

The bad news — the data show I've got K.P. duty at 3, so I have to hold my second swim to one lap. I resolve to enjoy it, stretching out my arms for an extra glide, paying attention to how my hands enter the water and hold straight and wide. Someone over at Ghirardelli Square, the old block-long brick factory-turned-mall above Aquatic Park, has the gall to bake cookies and send their warm sugary splendor out over the water.

I can make a straight line out to the bay opening of Aquatic Park, with no real tide to fight, and Swim No. 2 ends too soon. Nothing really needs doing in the kitchen, it turns out, as everyone gets quiet in the rhythm of the long event, saving energy. I long to be back in the water.

I was trying to serve two masters with this one version: Something that will fit on a cap, and a taste of
the counterculture/spiritual still alive and well in San Francisco. Can you not tell how really, really
excited I was to come back for this event?

The inaugural 24-hour relay last year coincided with California's only real winter storm, a rollicking deluge that barely let up, and churned Aquatic Park's water so hard that swimmers were restricted to swimming along the beach through the night.

This year's relay followed days of unseemly warm false-spring days, par for the four-year drought, until the weekend promised: Rain! Some joked we should market the relay as a rainmaker. Swimmer Mark Spratt of Indianapolis took personal blame, or credit, depending.

Just something completely different. I wanted to do something inspired by
the Ohlone people who first inhabited what became San Francisco, but couldn't
find much beyond the spare geometry of basket art;besides, I feel
uncomfortable co-opting native art. This reminds me more of some the
Works Project Administration murals around The City.

Except for Sunday morning at the relay's end, though, the rains never really came. The Golden Gate Bridge gave its glory day and night, the Marin County end perpetually swallowed in fog or lavender-hued rain clouds. We never saw that bridge last year.

Stars competed for attention this year with lights of The City during the night swims.

As evening fell a cruise ship, the Star Princess, sailed out under the black span of the Golden Gate Bridge. The ship looked like a skyscraper laid on its side, lit top to bottom as if on the night before taxes are due.

Swim No. 3, 6:47 p.m.: First dark swim. Teammate Kelley Prebil has kayaked out to the buoys and attached blinking lights to help swimmers see the route better. They look like cartoon time bombs, as if Kelley has mined the swim route. But when the buoys bob wildly, the blinks frequently disappear, and navigation requires finding the buoys' silhouettes against the dazzling lights afar. I zig and zag, stopping too often to guess where the buoys might be, hoping I don't hit one.

The famous flag buoy at the end of the row has been moved, I'm convinced of it, as darkness begins its trickery.

I manage to crash into the same swimmer I collided with last year, just in a different part of the course.

Cigarette smoke gives way to marijuana smoke, wafting from somewhere in the blackness of the eucalyptus groves. The ocean, flowing hard into the Bay now, gives me fits. Try as I may to reach the gap between the city pier and the breakwater, I end up far to the east each lap, which resembles not a triangle but a loop like one of those breast cancer ribbons.

The kayaker at the first buoy compliments me on my butt buoy, a bright orange inflatable tow device swimmers use for safety. Borrowing a British swimmer's idea, I put my backpacking headlamp inside, turning the buoy into a jack-o-lantern and me into a low-altitude firefly. It works better than a blinking light, making me visible from a great distance.

So when the unseen beasties under water get me, the relay organizers will know where I was last seen.

The water is 55 to 57 Fahrenheit, far warmer than Lake Natoma right now and four to six degrees warmer than last year in the Bay. It's discomfiting, how comfortable it is.

San Francisco blazes relentlessly into the water, setting fire to the bubbles of my wake.

One late variation after it turned out my designs would
overwhelm a cap.

When all was new last year, I fretted unreasonably that I had to stay awake to make sure our team was swimming when it should and carrying out its volunteer duties.

Even after I realized that, of course, they're adults and would do more than their share to ensure the event goes on, I resisted sleep. The early morning hours were almost intolerable as a result, time having stopped, enthusiasm having drained away.

This year I played it smart, knowing not to worry about the Fogheads. After each swim I wound my way through a utility passageway of the Dolphin Club, around some sawhorses, to the hobbit door that opened to a handball court that served as sleeping quarters, and napped for an hour.

The relay's off hours passed in comfort of a hardwood floor and the joy of chocolate muffins on waking up.

Swim No. 4, 11:16 p.m.: San Francisco refuses to sleep. The Fontana Towers, twin condominiums above Aquatic Park that Alcatraz swimmers use to sight themselves back to shore, is still lit top to bottom.

Pot smokers refuse to quit.

The tide having slacked again, I can make my way to the opening of the park a bit straighter. The second leg of the triangle route, out to the opening, feels the longest, only ghostly sailboats to guide by, and a mesmerizing collection of lights out in the Bay, devilish as sirens, by which to sight. The buoy out at the opening is always farther away than I think.

The homeward leg feels downhill by comparison, over before I realize. I slide stern to stem past the Balclutha, a three-masted 19th Century sailing ship moored in the park, and feel like I'm sneaking alongside to do battle, cannons ready.

Next I must take care to swim wide of the mooring chains of Eppleton Hall, an early 20th Century side-wheel tugboat, its prow jutting out into the park. A quick adjustment and I angle back to the Dolphin Club dock.

Back at the dock on the first lap, I see Jim Bock, my friend from fourth grade, working the midnight-to-3 shift checking on swimmers as they pass. Jim is dressed in a banana costume. From the water I break into the opening lines of "Greenland Whale Fisheries," a ballad I heard Jim sing from the dock last year. I learned the song since and waited for this moment. We sing together. I flub a key line. My throat is scratchy and I'm a little loopy. All, though, is well.

My mind refuses to let me be, imagining beasts crisscrossing below, to nudge and nip. My hand hits a stick in the water. I think it's a stick. I quicken a bit and wait for the stick to chase me. Nothing.

When Lisa Amorao shot this Saturday afternoon, it'd be another three hours
and 20 minutes before I swam again, when night fell. I watched from
comfy heights as David Walsh got out ("went dry" in the relay lingo)
and Paul Springer got wet. 

Waves from a growing tide thumped against the pilings below, waking me from my cocoon on the handball court floor. Nap No. 3 done.

The relay had gone into hibernation, sleeping-bagged bodies on the main floor of the Dolphin Club, in among the varnished wooden rowboats, up on the little stage, even up in the locker room. It's a stark difference from 9 a.m. when everyone cheered the first round of swimmers.

In short time the event became a matter of quiet survival, hanging out on the dock in view of The City, or quietly talking around the tables inside, until it was time for each to swim again.

No matter the hour, swimmers could count on a slice of pizza and a cornucopia of grub coming out of the kitchen.

Swim No. 5, 4:18 a.m.: My goal is not to be the last swimmer at the end of the relay. It was a treat last year to be last on my team, to swim up to a crowd on the docks, cheering all the last swimmers as much in happiness for having taken part as in relief that we all had made it through.

This time I wanted to be done and have my sopping gear all packed, ready to cheer someone else from the deck instead. Using Paul and Lorena's projections, I resolved that if I did four laps, or three miles, I would be almost certain to be finished with my swim contribution by about 4:30. Cathy Harrington would be our last swimmer when 9 a.m. came 'round.

San Francisco is finally dark except for the Ghirardelli sign and the bulbs that outline the big old factory. The bubbles below me glow green on their own.

The lights on the buoys blink sleepily, weakly, barely now.

I'm cold. How can I be cold!? I have yet to complete the first lap and my head feels icy. I really, really need to hang out here for four laps, so I breathe slowly, stroke deliberately, trying to blank out the cold.

On the first lap out to the watery opening of Aquatic Park, a buoy swims by. It's round and dark, bobbing and bearded with vegetation, untagged by a blinking light. Where did that come from? How did I end up swimming by it? Great, now I've gotta watch for it each of the next laps, hoping I don't bash into it.

People are walking along the concourse on the edge of Aquatic Park this time of the morning. Someone is still smoking marijuana. In a lit doorway of the Maritime Museum, a man in a sleeping bag is screaming into the night.

Green flashes suddenly explode in my head. I am dreaming, or one of the buoys is following me, or a boat is sailing out of the park. No, it's a swimmer, blinking light on his goggle strap, going incredibly fast past me.

On my last turn around the buoy at the opening, I thank the kayaker and see, above her, dark figures standing on the pier, watching, like sentries on a battlement. At 4:20 a.m.

The cool heat of eucalyptus oil settles on the water, trumping all, calming me. The fourth and final lap is warm and normal. I conquer the Balclutha in one more sneak attack and make for shore as stealthily as an orange firefly can swim. A wave spits me out on the sand.

All told, I swam about 10 1/2 miles. The foursome that included "Fast" Karl each swam half again more.

The surest sign of the relay's success is that we want to do it again. Though the sides of my tongue are ground raw and can't taste — though a "greater than-"shaped welt of red has tattooed my neck — I want to do this again.

All the art I'd done wouldn't work on a cap, so I pulled this detail from
my first illustration of the famous flag buoy, and tweaked it for a new purpose.

A logo surfaces

This bitty one kept popping up.

Persistent. Prankish — she made as if to disappear for good, even stayed away for the longest time, until suddenly arising in another spot.

Whatcha doing? she asked, or seemed to. Can I play? Can I, huh? Huh?

I tried to ignore her. This was serious business, designing the artwork that would go on the swim caps for the 24-hour Swim Relay in San Francisco's Aquatic Park. I was swimming in it, and director Suzie Dods asked me to come up with something.

Artist at work. Do not disturb. No fun allowed.

I made lists (sometimes the same list redone in different ink and decaying penmanship), checked them thrice. What was legible became pegs on which to hook ideas.

The solution had to say, "This is the first attempt of the craziest damn swim in one of the most beautiful places on the planet!"

It all but bellowed "TIME and SPACE and NOVELTY!" like few others could.

Would I hear it?

Regardless, the solution had to be different, and swimming is a prickly client. Photography may do it justice, but graphic design often fails. Swimming is all slash of arm and splash of water and sliver of rubber-swathed head. Most it it happens out of sight.

Swim logos, as a result, often look like the ransacking of traffic safety signs: Round head, zig-zag line for an arm, two or three wavy lines for water — presto! Logo.

The swimmers in these logos by necessity display bad form — for freestyle anyway, they're almost vertical — to show the head and sometimes facial expression or features.


This event called for something different. Now, to work.

First, time: That's the marrow of this shindig, a 24-hour grind, day passing into night and back again, the feel of it. How to convey it? The movement of sun and moon, an ever-widening whirl? A watch? A Dali watch? Literally the words "24 hours?"


All of the ideas sketched, considered, set aside.

Now, place: A marvel to us outsiders, San Francisco is just as much a jewel to its swimming locals. The City must glimmer in the art.

Next, novelty: Since Herb Caen, late great columnist for the San Francisco Chronicle, called The City Baghdad by the Bay, I tried that for a bit, dipping into visual history and mythology to make visual links to the sophisticated city The City is.

Leander, swimming across the Hellespont each night to be with his lover Hero. Assyrian bas-relief, swimmers prostrate and flailing, fully clothed and behatted, as if seen from under water.

So began a spate of sketchy sketches, suggesting the rough hew of the ancient artist. Swimmers formed a circle, suggesting the passage of time and completion of laps.

Nah, I decided, too esoteric. Too far away from crazy damn swim, the unforgettable place.

I was going around in my own circles on this, getting nowhere.

Then look who showed up! The wee sea lion, wanting to play. Up she rose, I realize, from my subconscious.

The sea lion suddenly answered everything for me, time and place and novelty. It's wild, like this swim, and welcoming (not that I'd like to cross a cross one). Sea lions dwell on San Francisco's piers and roam Aquatic Park.

I saw one from afar on my swim of the park; one day I hope to see a sea lion pop up close from the green murk of the Bay, as other swimmers tell, watch it watch me, then watch it swim away.

She became the hook for this idea. I built The City around her, the water and waves and tides.

Ultimately she had come to play with the swimmers.

The water in the final art played multiple roles, surface and volume and sky and night.

I managed to fit in Coit Tower, the TransAmerica Building (a useful landmark for swimming the homeward route that weekend), the Golden Gate Bridge, the sailing ship Balclutha tied up next to Aquatic Park — even the flag buoy known well to swimmers there.

Circles became slash and splash and sun and moon. Swirls suggested a timepiece, a stopwatch, the endlessly circling crazy damned swim — I dunno, I might have enshrined a cliché on that last bit.

On the cap, the sweeping shape is meant from a distance to suggest  horns or Hermes' wings.

At least the sea lion seems bemused.

Addendum: I reacquainted with an elementary school classmate, Jim Bock, at the 24-hour swim. He's a lively member of the South End Rowing Club now, living lifelong dreams in San Francisco. When I introduced myself by social media, he sent me a copy of a chart he had made way back in 5th grade, written on pulp lined paper. It lists the class' and teacher's birthdays. Each student and teacher recorded his/her data, and Jim somehow kept that paper all this time. He and I just happened to have signed on subsequent lines:

We were adamant about adding fractions to our ages. Even then, I notice, I was playing with a logo for my name.

Come again another day

Don't be fooled by the ferocious sea: It was rocky, but this is from a low angle on a wave just
about to crest on the beach, between the South End and Dolphin Clubs' docks. I'm about
to hand off the next leg to Lisa Amorao, who shot the day-long adventure with a GoPro™©
camera mounted over her swim cap. The masts of the Balclutha, a 19th-Century
cargo ship, loom in the back.

By noon the day after, the floor finally stopped heaving.

Unseen forces finally stopped pitching me forward whenever I stood still, and stopped nudging me off my gait down the hallway.

Now I miss that gentle vertigo, an unexpected souvenir of what I'd just done: Joined a team that swam 24 hours straight in San Francisco Bay.

See exactly what we did here, a rollicking video by teammate Lisa Amorao.

The 24-hour Swim Relay was Suzie Dods' crazy idea back in November. At least, that's when she unleashed the proposition upon the swimming world. Maybe it brewed in her brain long before.

Looking back, I probably had no business taking part. The 54 swimmers who flocked to Aquatic Park in the Bay last weekend, to the quirky, cozy confines of the South End Rowing Club and Dolphin Club's complex at the edge of the water, are channel swimmers (English, Catalina, you name it) and big-lake crossers. They swim great distances, fast. They direct and organize distance swims of their own. Google their names and their epic exploits top your list of choices — and Suzie is a channel and distance swimmer extraordinaire. She also guided me on my first Bay swim three years ago.

It was an honor to design the cap logo, which I filled with landmarks and the wishful
thought of safely encountering a sea lion. Several asked what the shape on the lower
left is. It depends on your attitude: It's a watch marking time, or a circling drain.

Many of these swimmers who took part dart through the green silty salty waters of the Bay regularly, know the tides, know the dangers.

I swim cold and flat Lake Natoma, have swum its length on three separate summer occasions, and swim Aquatic Park maybe once a year. So end my credentials.

But I brought them, some chutzpah I didn't know I had, and three friends — Lorena, David and Karl — with whom I swim at Lake Natoma, to join the team.

Through a Lake Natoma swimming connection, we gained two San Francisco Bay veterans from the south Bay Area — Lisa and Fred — and during the swim were able to add another veteran, aptly named El Sharko, to the team.

(Two Natoma stalwarts, Doug and Patti, got sick right before and couldn't come. All the more reason to do this again next year.)

The name is everything! Option 2 was
Team Curglaff. Lisa Amorao photo

We became the Fogheads, as new Bay Area friend and teammate Fred dubbed us.

Chutzpah took a hit the night before the swim, when Suzie told the gathered swimmers, "Watch yourself: The first swim will feel great, the second and third will feel fine. It's the fifth, sixth and seventh swim, swimming in the dark, when you will really feel it."

Fifth, sixth and seventh swims? I hadn't really considered them. What had I done? I'm gonna have trouble, and now I've talked several people into getting into trouble. The Bay's 51-degree water wouldn't bother me; we swim in colder water near Sacramento. But swim after swim — seven in all for me over 24 hours, most of them 1.5 miles each — was not something I had necessarily trained for.

I'm used to swimming our Lake Natoma once a day, 1.3 miles or so at a go, dancing in the parking lot to exorcise the shivers, swilling hot cocoa until warm again, and driving home. That being that.

This event was so. Much. More.
 
Too late to doubt. Time to strap up. In all, I swam 10 miles — the Fogheads must have logged in at least 60 miles together. In the end, we smiled; throughout, we smiled. This was a strange and wonderful journey we were taking together, that we were somehow accomplishing. It was hard not to smile.

Each swimmer was to complete at least one 3/4-mile clockwise triangle of Aquatic Park lap at a go — along a buoy line parallel to shore to a floating "wedding cake" buoy with a flag atop and a thermometer dangling by a tether into the water, near the Maritime Museum; then through a collection of moored sailboats out to the end of two jetties marking the bay entrance to the park; then back to the clubhouse past the historic ships Balclutha and Thayer tied up at the Hyde Street Pier.

The next swimmers had to be at least shin deep in the water to high-five their incoming teammates, calling out their numbers, before starting their turns.

I usually swam two laps. We heard of at least one swimmer who swam five laps at a go.

Throughout, miracles happened, big and small:

• It rained.
• and rained.
• and rained.
• It never stopped raining (an unconfirmed source alleges that rain stopped between 5 and 6 a.m. but I'm inclined to doubt, having picked one of those hours to sleep in a corner of one of the South End Club's handball courts.)
• We'll take any credit cast our way for putting a dent in the horrible drought. Bright calm unseasonable skies heralded us — until the night before the swim, when winter began making up for lost time. Wind blew throughout, sometimes hard. Swimming became our salvation, our way out of the misery of standing on South End's pier awaiting our turn or checking in on incoming teammates.
  
  The gray boil of sky matched the green roil of water.

• I met a man named Jim Bock. Met a man, I say, because when last we met, he was a little skinny kid with me in fourth grade during our former lives in the little Air Force/diatomaceous-earth mining city of Lompoc, Calif.
  
  In the event's early planning and flurry of facebook®© and email communications, I came across Jim Bock's deceptively unusual name. One and the same? One and the same! And somehow we are reunited 43 years and six hours away from our hometown by an avocation neither of us had imagined back then.
  
  A nice dinner with him as he met Nancy, our son and his girlfriend, was not enough conversation. I was busy swimming, he busy watching over us as a volunteer guardian and South End denizen, so we'll have to make future excuses to continue the talk. Good thing he swims in such a beautiful pool.

• A sea lion did not eat me. More important, a sea lion did not nibble on my kneecaps, which was the irrational fear I carried into each swim. It didn't help that on my second round trip, mid-afternoon Saturday, I saw a sleek black shape surf the green waves out toward the opening of Aquatic Park, where the water begins to get rough.
  
  The shape was so big, it occupied two waves. Just as quickly, it disappeared.
  
  "Did I see what I thought I saw?" I asked the kayaker/guardian angel posted at the opening.
  
  "Yeah," said the angel, "but I saw it chomping on a fish a while back, so it won't be interested in the swimmers."
  
  Night presented a different story. Just when I had let my mind wander in the dark sensory deprivation of the water, my safe cocoon, I felt a smooth shape slide right into me. After a big swallow of water, I stopped to see — another swimmer! Somehow in all this water, each of us lit up like little Christmas trees with our blinking lights and glow bracelets, we crashed.
  
  'Round midnight, lulled by the relief of reaching the dock — it loomed like a torii gate silhouetted in the clubhouse's orange lights — another shape crashed on my head. An aggressive sea lion declaring territory? No, another swimmer doing the butterfly. We smiled in shared relief.

• Virtual swimmers became real. I have before sung the praises of a facebook™© page called "Did you swim today?" (dyst?) The relay provided opportunity to meet some of the swimmers with whom I have shared daily stories of swims from around the world.
  
  There came peripatetic Londoner Jackie Cobell, a member of swimming royalty, a cheery ambassador of open water swimming, known now as much for the extreme cold-water swims she's made as for holding the record for the longest time taken to cross the English Channel, 28 hours, 44 minutes.
  
  I met Mark Spratt of Indiana, a dedicated distance swimmer and dyst? poster, and Amanda Hunt from Australia by way of Chicago. Globetrotter Bruckner Chase, a long-distance swimmer from New Jersey and American Samoa whose livelihood advocates for ocean health and access to the ocean for all people, was there too.

• No one went hungry. No one had a chance: Food filled a big table in the South End dining room, and food never stopped filling the table. At 4:30 a.m., fresh pepperoni pizza suddenly appeared. Imagine how good pepperoni pizza tastes at that hour after a disorienting swim!
  
  The modest entry fee and the generosity of swimming cooks went far — loaves-and-fishes far. Who could not get fuel was a fool.
  
  I drank cup after paper cup of hot water, until the cup could no longer hold its shape and I'd get another. I was driving off cramps as best I could, and took electrolyte tablets swimmer Bruckner Chase had provided right before each swim.
  
  Lisa Amorao's delicious couscous dish tempted me to skip a rotation and scarf it all instead.
 

• The world in the wee hours became magic.
  
  On my second night swim, around 3:30 a.m., all was dark save for lights along the shore and the gargantuan Ghirardelli chocolates sign (gleaming for whom? I wondered). It was much darker than it had been 'round midnight. The water this time fizzed as I entered, so loudly it hissed through the wax ear plugs I wear to ward off cold and keep from getting dizzy.
  
  As my arms drove the fizzing water below me, bright green balls of light rose from them, up and past me. Another Bay veteran swimmer had told me about the bioluminescence given off by tiny creatures — were they making the fizz? — but I was sure he was mistaking it for bubbles that caught the ambient light of The City. Of course he knew better, and I swam along enjoying the gift of sight and sound and sense. Suddenly I became very calm, and in that calm grateful to God for this opportunity, and deep in thought for my wife and son to be able to see some of the event, and my late mom, whose birthday was Saturday.
  
  Heading for the showers and another twitchy cycle of warming up, I heard Jim Bock on the South End dock, clad in a yellow sou'wester as he checked off the swimmers, singing "Greenland Whale Fisheries" into the sideways rain.

• Fogheads came through. "King" Karl helped South End folks move a sailboat and almost missed one of his rotations. David helped warm up a shivering swimmer in the middle of the night. (Normally in a wetsuit as an Ironman™© triathlete, David went several go-rounds without.) Lorena staffed the kitchen when our team's time came, and summoned the grit to go out each time in the foreign waters, emerging strong each time.
  
  Lisa continues to provide inspiration with her photos and video and cheer, resolving to swim in the dark without an escort, as she had first planned. Her Karl (different from our "King" Karl) kayaked even though he was sick.
  
  Fred and "King" Karl worked the walkie-talkies from midnight to the end so that weary swim teams could know their turns from the comfort of the South End dining room.
  
  Modest Chris "El Sharko" Blakeslee, a South End veteran and heralded as one of the oldest swimmers to cross the English Channel, joined our team midway as his team was dispersed, and at every turn did what he could to make our team go.
  
  I'm overjoyed to have been among them.

Most of the Fogheads: David, Fred, Fast Karl, me after the final lap, Lorena and Lisa. In the hullabaloo,
we lost track of Chris "El Sharko" for the photo. Nancy Turner photo.

Suzie Dods had it pegged: The first swims were a fine and relatively easy. "King" Karl, our youngest and fastest, led off the rounds 9 a.m. Saturday. It was the only lap that felt like a race, all of the nine teams seeming to send off their fastest.

By 11:30 p.m., three or four go-rounds into it and 13 1/2 hours later, the clocks seemed to stop, and missed naps were widely regretted. Nine teams had collapsed to seven, smaller teams dispersed to medium-sized teams.

By 11:30 p.m., my underarms and neck chafing and stinging, I began to think this endeavor folly. Teams fell to sleeping when and where they could — sometimes all but the swimmer in the water was asleep, and the next in line had to be found and roused so the teammate could officially leave the water.

Early-morning swims (the fifth and sixth go-rounds) required extra deep breaths, extra smidgens of motivation. Each round required swimmers to know the tides and how they changed. Failing to adjust meant more work at best or swimming into hulking breakwaters and historic moored ships at worst. Even the buoy line near shore was dodgy in the dark — one swimmer returned with a cut forehead from swimming into a buoy.

When I relayed Suzie Dods' announcement that teams who were tired should just all take a break for one or two swimmers' rotations — "It's not a race, we're not keeping books," she said —  "King" Karl (aka Fast Karl) was incredulous.

"That would be cheating!" he said. "You couldn't say you swam 24 hours straight, then." None of the Fogheads even considered it, I gather.

Right before dawn, the clock sped up. Light shone in the darkness. Strength returned.

Karl, Fred and me, never quite dry. Lisa Amorao photo.

By hook or crook or conspiracy, I had the privilege of swimming the last leg of the last go-round for our team. The big triangle route, closed off in the early hours when visibility and conditions worsened, was reopened with sunup. I tried to make two laps as before, but wasn't fast enough to come in on time. I settled for one lap around and one lap along the buoy line next to shore, as leisurely as possible, before heading back in.

Swimmers who had earlier gathered on the dock to cheer Suzie Dods for her last swim (she came in towing a kayak with her teeth) were back on the dock cheering the last swimmers and our shared accomplishment. A wave lifted us onto the beach for the last time.

Many of us weren't even dry before we were wishing aloud to do this impossible thing again next year.